This Statue at Standing Rock Sends a Powerful Message of Resistance
By Clara Chaisson
Since April, thousands of demonstrators have been camping out at the confluence of the Cannonball and Missouri Rivers on the Standing Rock Sioux reservation in North Dakota. These peaceful water protectors—representing more than 200 Native-American tribes, plus many nonnative allies—are demanding a halt to the construction of the Dakota Access Pipeline, which threatens the water and sacred land of the Standing Rock Sioux. Tensions are escalating—on the night of Nov. 20, North Dakota law enforcement deployed water cannons, tear gas and rubber bullets against the unarmed group in subfreezing temperatures.
Water Cannons Fired at Water Protectors, Hundreds Injured https://t.co/fgvW6xBJ2F @IENearth @billmckibben @350 @MarkRuffalo @shailenewoodley— EcoWatch (@EcoWatch)1479738055.0
On a hill above the Sacred Stone camp, a metal and concrete statue of a seated man surveys it all—the camp, the rivers, the impending construction, the often intense conflict—his expression calm but resolute. Not Afraid to Look, completed in October, is the work of Charles Rencountre, a Lakota artist based in Santa Fe, New Mexico.
Originally from South Dakota, Rencountre got his start as an artist 30 years ago by teaching himself to carve traditional, effigy-style Lakota pipes, as his grandfather did before him. Today Rencountre still focuses on effigies, though on a different scale, transforming the tiny carvings his ancestors made into monumental sculptures.
Friends of Not Afraid to Look
The statue at Standing Rock is based on one such effigy, a mid-19th-century Lakota pipe titled Not Afraid to Look the Whiteman in the Face. The piece features a bowl shaped like a white man's head; on the stem, an American Indian man sits looking directly at him. The pipe was made during a time of intense conflict between indigenous tribes and the U.S. government.
"It was a really difficult time for our people. We'd pretty much lost everything we knew," Rencountre said. "Some man out there in that world, that reality, was carving a pipe—it was a political piece that was saying, 'We're not afraid.'"
The Dakota Access Pipeline represents a modern-day threat to native rights. If completed, the $3.7 billion pipeline would transport 470,000 barrels of crude oil every day across four states from North Dakota's Bakken region to a production facility in Illinois. Its path threatens sacred American Indian sites, including ancient burial grounds and the rivers' confluence, and endangers the Standing Rock Sioux's primary source of drinking water, Lake Oahe.
When Rencountre saw the movement happening at Standing Rock, he knew Not Afraid to Look belonged there. "Seeing that so many native tribes from across the nation had shown up at Standing Rock to support these folks that were protesting the pipeline ... That was extremely powerful to me," he said. Rencountre and his wife, fellow artist Alicia Marie Rencountre-Da Silva, decided to retain just the first half of the namesake pipe's title to reflect the more diverse nature of today's many environmental threats.
Rencountre and Da Silva are interested in creating art that builds community and this piece was no exception. Many at the Sacred Stone Camp pitched in, lending a hand with their carpentry and welding skills. With their help, Rencountre spent 30 days working from sunup to sundown.
Friends of Not Afraid to Look
This isn't the first time Rencountre has sculpted Not Afraid to Look. Another version of the statue sits outside the Museum of Contemporary Native Arts in Santa Fe, New Mexico. The husband-and-wife team envisions Not Afraid to Look becoming a symbol of strength for people fighting to protect natural resources around the world.
On Nov. 14, the U.S. Army Corps of Engineers halted construction of the pipeline pending further environmental review and consultation with the Standing Rock Sioux tribe. The CEO of Energy Transfer Partners, the parent company of the Dakota Access Pipeline, however, then stated: "If [protesters] want to stick around and continue doing what they're doing, great, but we're building the pipeline."
Whatever happens next, Not Afraid to Look will be there for years to come as a concrete symbol of people's power to stare down injustice.
Reposted with permission from our media associate onEarth.
This week marks the official start of fall, but longer nights and colder days can make it harder to spend time outdoors. Luckily, there are several inspiring environmental films that can be streamed at home.
1. Kiss the Ground<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="ccc5f0c92a5603e68aec39e56b0db02a"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/K3-V1j-zMZw?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p><strong>Streaming On: Netflix</strong></p><p><strong>Premiere Date: Sept. 22</strong></p><p>Between <a href="https://www.ecowatch.com/wildfires-california-washington-oregon-photos-2647585008.html" target="_self">wildfires devastating the U.S. West Coast</a> and <a href="https://www.ecowatch.com/tropical-storm-beta-landfall-2647760268.html" target="_self">storms battering the Gulf</a>, the impacts of the <a href="https://www.ecowatch.com/climate-change/" target="_self">climate crisis</a> can feel overwhelming right now. <em><a href="https://kissthegroundmovie.com/" rel="noopener noreferrer" target="_blank">Kiss the Ground</a> </em>offers an alternative to all of the bad news by focusing on solutions.</p><p>The film, directed by Josh and Rebecca Tickell and narrated by Woody Harrelson, explains how we can heal the Earth through "regenerative agriculture," farming practices that draw carbon dioxide from the atmosphere and into soil as a way to restore soil health, which in turn boosts ecosystems and food supplies.</p><p>"<em>Kiss the Ground </em>shows how feasible it is to make these changes at a grassroots level immediately and make a truly substantive impact with low cost and easy to implement solutions," Executive Producer RJ Jain said in an email. "This is why I got involved."</p>
2. Public Trust: The Fight for America's Public Lands<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="5338f7a2931e356910026e5fd76fac56"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/jsKMTAaj_wQ?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p><strong>Streaming On: YouTube</strong></p><p><strong>Premiere Date: Sept. 25, 2 p.m. EDT </strong></p><p>This <a href="https://www.patagonia.com/films/public-trust/" target="_blank">award-winning documentary</a> tells the stories of Indigenous activists, journalists, whistleblowers and historians working to protect America's <a href="https://www.ecowatch.com/tag/public-lands" target="_self">public lands</a>. The film focuses on three political struggles: the shrinking of <a href="https://www.ecowatch.com/tag/bears-ears" target="_self">Bears Ears</a> National Monument in Utah, the mining of Boundary Waters Wilderness in Minnesota and the opening of the <a href="https://www.ecowatch.com/tag/Arctic-National-Wildlife-Refuge" target="_self">Arctic National Wildlife Refuge</a> to fossil fuel exploration.</p><p><em>Public Trust</em> was directed by David Garrett Byars and produced by Jeremy Rubingh. Patagonia Films, Patagonia founder Yvon Chouinard and actor Robert Redford are executive producers. It will be <a href="https://www.youtube.com/watch?v=OGjnIG7puzY" rel="noopener noreferrer" target="_blank">released</a> on YouTube in time for <a href="https://www.ecowatch.com/national-public-lands-day-2640656776.html" target="_self">National Public Lands Day</a>.</p><p>"Our country is fortunate to have millions of acres of public lands, including National Parks, Monuments, Wildlife Refuges and Wilderness set aside for future generations," Redford said. "Sadly, these lands that belong to you and me are under unprecedented threats from the greed of big corporations, eager to weaken restrictions in the pursuit of profits. Many of our current politicians are also to blame. <em>Public Trust</em> tells the story of citizens who are fighting back. It's a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage."</p>
3. David Attenborough: A Life on Our Planet<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="156438a30836a765d7a92982545fc334"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/B_OFZvAd05Y?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p><strong>Streaming On: Netflix</strong></p><p><strong>Premiere Date: Oct. 4</strong></p><p>Beloved nature broadcaster <a href="https://www.ecowatch.com/tag/David-Attenborough" target="_self">David Attenborough</a> has spent his career introducing viewers to the wonders of our planet. In recent years, his footage of albatrosses swallowing <a href="https://www.ecowatch.com/tag/plastics" target="_self">plastic</a> in <em>Blue Planet II</em> has been credited with <a href="https://www.ecowatch.com/2018-fighting-plastic-waste-2624606566.html" target="_self">helping to ramp up</a> the global fight against plastic pollution. Now, in this <a href="https://www.wwf.org.uk/" rel="noopener noreferrer" target="_blank">World Wildlife Fund</a> (WWF)-produced <a href="https://www.attenborough.film/" rel="noopener noreferrer" target="_blank">documentary</a>, he reflects on the defining moments of his career and the devastating changes he has witnessed.</p><p><em>David Attenborough: A Life on Our Planet,</em> which was also produced by Silverback Films and directed by Alastair Fothergill, Jonnie Hughes and Keith Scholey, features an intimate conversation between Attenborough and Sir Michael Palin as the broadcaster reflects on his life and a career that took him to every continent on Earth. In addition to streaming on Netflix, the movie will be available in select theaters starting Sept. 28.</p><p>"For decades, David has brought the natural world to the homes of audiences worldwide, but there has never been a more significant moment for him to share his own story and reflections," WWF executive producer Colin Butfield said in a <a href="https://www.wwf.org.uk/updates/david-attenborough-life-our-planet" target="_blank">statement</a>. "This film coincides with a monumental year for environmental action as world leaders make critical decisions on nature and climate. It sends a powerful message from the most inspiring and celebrated naturalist of our time."</p>
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If all the glaciers and ice caps on the planet melted, global sea level would rise by about 230 feet. That amount of water would flood nearly every coastal city around the world [source: U.S. Geological Survey]. Rising temperatures, melting arctic ice, drought, desertification and other catastrophic effects of climate change are not examples of future troubles — they are reality today. Climate change isn't just about the environment; its effects touch every part of our lives, from the stability of our governments and economies to our health and where we live.
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