Quantcast

Why Every City Needs a Climate Storyteller

Insights + Opinion
Climate Narrative Project at the Harker School in San Jose, California. Photo by Jeff Biggers

By Tara Lohan

We have a big job ahead of us. The perils of climate change will require that we craft new policies, fund robust scientific research and dramatically rethink most of the infrastructure we rely on — everything from energy to food to transportation. Supporters of a Green New Deal have insisted that we need a World War II-scale mobilization to put the brakes on a fossil-fueled economy. All of this may conjure the work of engineers, urban planners, designers, scientists and policymakers.

But that's not all. We'll also need more storytellers, says Jeff Biggers.


Biggers, a journalist, playwright and historian, has written hundreds of articles and eight books, including Resistance: Reclaiming an American Tradition and Reckoning at Eagle Creek: The Secret Legacy of Coal in the Heartland. He's spent decades deeply entrenched in movements for environmental protection and justice, but says he still felt we were falling short on inspiring the change needed to meet the scale of the problem.

So in 2014 he started the Climate Narrative Project, which works with high schools, universities and communities across the country to fuse science and art into new narratives about climate change and solutions that cut across disciplines and media.

We spoke with Biggers about his work helping to train climate storytellers and how it's changing communities.

Jeff Biggers reads from his book, Resistance. Photo courtesy of the author

What led you to start the Climate Narrative Project?

I feel like we have a climate communication crisis as much as a climate crisis. We're not just up against a formidable lobby of oil, gas and coal, but somehow we need to rise above the noise, the distractions and the globalization of indifference to injustice in daily life. While the majority of Americans recognize the growing problem of climate change, surveys have found that most people rarely discuss it or know how to engage in real action.

I'd seen this for years — decades — as a long-time organizer and environmental justice chronicler in coal country. We had often failed at communicating the right story to galvanize enough support to change destructive policies or hold outlaw coal companies and their bankrolled politicos accountable.

What do you hope the project will achieve?

Returning to my roots as a storyteller, I felt we needed to bring together science, humanities and the arts to come up with new climate narratives that could galvanize action and envision ways for regenerative solutions: in effect, to train a new generation of climate storytellers as community organizers.

Based in Iowa, I've worked with campuses, community groups and planners in towns and cities across the country, from Appalachia to the steel mills of Gary, Indiana, to rural Arizona to cities in Silicon Valley. I train with artists in all forms of storytelling — dance, theatre, film, spoken word and creative writing, visual arts and radio — in order to rethink our ways in regards to energy, food, waste, urban design and transportation, and our connection to our local history and nature. Then we envision a roadmap through stories in how we can transition toward creating carbon neutral regenerative cities and campuses — ways in which we don't simply "do less harm," but actively repair the environmental destruction and replenish our natural resources.

A mural from the "Ecopolis" project in Gary, Indiana. Photo by Jeff Biggers

What has been one of your favorite stories that has been told through the project?

In one of my Climate Narrative Project cadres an art student in Iowa stunned her audience by displaying a beautiful painting she had done of the prairies, spoke about her interviews at Standing Rock and then poured black oil all over it to demonstrate the impact of pipeline bursts.

What kind of effects have you seen on audiences or in the communities where these projects have been created?

On a community level, I was blown away by the "Ecopolis" stories composed by a group of urban farmers, rappers, educators, jazz musicians and artists in Gary, Indiana, who brought together an unusually diverse coalition — mainstream environmental groups, churches, teachers and students, business people, city administrators — with their vision of the famous steel city as a carbon neutral regenerative city, walking us through a decade of transitions to green-enterprise zones and circular economies, soil mitigation and local food, rewilding and reconnecting to the extraordinary and biodiverse Indiana dunes.

After the multimedia theater event at a solar-powered church, the local groups sat down for a lunch hosted by urban farmers and began the process of making this vision a reality.

On a campus level, I've been amazed by the Climate Stories Collaborative at Appalachian State University, which followed up our Climate Narrative Project training as an initiative to bring together 23 different academic units and departments to engage students and faculty with story-driven climate actions.

As climate impacts increase and this issue hits home for more and more people, do you think art and culture will play a bigger role in how we understand the problem and craft the solutions we want to see?

If we're serious about engaging communities for climate action and environmental justice, storytelling and all the arts must play a key role in our initiatives. I tell every organization, community and interfaith group, school and university, and especially town and city councils: Don't waste your resources on bureaucrats, task forces and commissioning studies that no one reads — invest in the arts, storytellers, writers, playwrights and farmers.

Every organization, campus and city should have a climate storyteller-in-residence, a climate artist-in-residence, a farmer-in-residence, etc. If we are to meet the urgency of climate action, we must be training brigades of climate storytellers to astonish, inspire and organize our communities.

Reposted with permission from our media associate The Revelator.

EcoWatch Daily Newsletter

The European Investment Bank will stop lending for fossil fuel projects. ForgeMind Archimedia / CC BY 2.0

By Eoin Higgins

Climate activists celebrated Thursday the decision of the European Investment Bank to stop funding most oil and coal projects by 2021, part of a bid to be the world's first "climate bank."

Read More Show Less
Campaigners from Friends of the Earth Scotland gather to demand clean air in August 2015. MAVERICK PHOTO AGENCY / Flickr / CC BY 2.0

Air pollution particles from motor vehicle exhaust have been linked to brain cancer for the first time, researchers at McGill University in Montreal say.

Read More Show Less
Sponsored
A measure that would fine parents who refuse to vaccinate their children passed Germany's parliament Thursday. Self Magazine / CC BY 2.0

A measure that would fine parents who refuse to vaccinate their children for measles close to $2,800 passed Germany's parliament Thursday, the Associated Press reported.

Read More Show Less
A flooded St. Mark's square (Piazza San Marco) during a new exceptional high tide on Nov. 15 in Venice, Italy. Simone Padovani / Awakening / Getty Images

The historic "acqua alta" that swamped Venice Tuesday night also flooded the Veneto regional council for the first time, just moments after it had apparently rejected measures to address the climate crisis.

Read More Show Less
Micromobility is the future of transportation in cities, but cities and investors need to plan ahead to avoid challenges. Jonny Kennaugh / Unsplash

By Carlo Ratti, Ida Auken

On the window of a bike shop in Copenhagen, a sign reads: Your next car is a bike.

Read More Show Less
Sponsored
An American flag waves in the wind at the Phillip Burton Federal Building in San Francisco, California on May 17 where a trial against Monsanto took place. Alva and Alberta Pilliod, were awarded more than $2 billion in damages in their lawsuit against Monsanto, though the judge in the case lowered the damage award to $87 million. JOSH EDELSON / AFP / Getty Images

By Carey Gillam

For the last five years, Chris Stevick has helped his wife Elaine in her battle against a vicious type of cancer that the couple believes was caused by Elaine's repeated use of Monsanto's Roundup herbicide around a California property the couple owned. Now the roles are reversed as Elaine must help Chris face his own cancer.

Read More Show Less
Butterfly habitats have fallen 77 percent in the last 50 years. Pixabay / Pexels

The last 50 years have been brutal for wildlife. Animals have lost their habitats and seen their numbers plummet. Now a new report from a British conservation group warns that habitat destruction and increased pesticide use has on a trajectory for an "insect apocalypse," which will have dire consequences for humans and all life on Earth, as The Guardian reported.

Read More Show Less
Six of the nineteen wind turbines which were installed on Frodsham Marsh, near the coal-powered Fiddler's Ferry power station, in Helsby, England on Feb. 7, 2017.

Sales of electric cars are surging and the world is generating more and more power from renewable sources, but it is not enough to cut greenhouse gas emissions and to stop the global climate crisis, according to a new report from the International Energy Agency (IEA).

Read More Show Less