Songs for the End of the World: Pop Music and Climate Change
By Emer McHugh
Popular music has, and always will be, informed by the political and social contexts from which it emerges.
The struggles of the American civil rights movement, white supremacy, and institutional racism reflected in the likes of Marvin Gaye's "What's Going On," Public Enemy's "Fear of a Black Planet," Sly and the Family Stone's "There's a Riot Goin' On" and Beyoncé's "Lemonade." Bands like Dixie Chicks, The Clash, Rage Against the Machine and Sleater-Kinney have railed against misogyny, war and conservative politics in their work. Joni Mitchell famously sang about how "they paved paradise and put up a parking lot." Pixies warned that "and if the ground's not cold/Everything is gonna burn/We'll all take turns/I'll get mine too."
Pixies "Monkey Gone To Heaven"
Very late into her latest album "Titanic Rising," Natalie Mering AKA Weyes Blood sings "don't cry, it's a wild time to be alive" and I am not sure if I have found any other lyric this year that encapsulates so perfectly what it is to live in 2019. We are halfway through the Trump administration, and global right-wing politics continues to be on the rise with the election of Boris Johnson. Brexit is looming, with no clear plan as of writing.
More pertinently for what I am writing today, we are in the middle of a climate emergency. Greta Thunberg has become the face of a worldwide movement to save the planet before it is too late. Jair Bolsonaro's fascist regime has refused funding to save the Amazon rainforest in Brazil. The U.S. withdrew from the Paris Agreement two years ago (and remember the Secretary of State Rex Tillerson was the CEO of ExxonMobil).
Online and in real life, people are talking about how to reduce their carbon footprint, and how to put pressure on corporations to do the same. The fear that the earth might not be what it is now in 12 years' time is all too real. To paraphrase a more-than-30-year-old song, it could be the end of the world as we know it. Do we feel fine? Probably not.
It's The End Of The World As We Know It (And I Feel Fine)
Mering has made it clear that "Titanic Rising" as a title references the oncoming impact of climate change and the cover of the album depicts her in a bedroom submerged under water. Speaking to Stereogum, she argued that "the waters have risen over this bedroom which to me is symbolic of kind of a subconscious altar that all young people in western culture create for themselves. I'm not drowning in it. I'm alive."
However, the uncanny sight of Mering nonchalantly floating around her bedroom arguably shows adjusting to irreversible change. In the same interview, Mering asserted that "at the expense of the third class, we'd been kind of fucking with people, and industrialization hasn't really conquered nature in any real way. Nature is about to conquer our ass, and industrialization is not gonna be able to keep up with that."
As such, songs such as "Wild Time" conjure up images of industrialization and nature juxtaposed with one another. Mering sings of the planet as "beauty, a machine that's broken/Running on a million people trying," she swaps "trying" for the more troubling image of "a million people burning" in the second verse. Time is running out, or, to borrow the title of the song that opens the album, "A Lot's Gonna Change." "Falling trees, get off your knees/No one can keep you down," Mering sings, "if your friends and your family/Sadly don't stick around/It's by time you'll learn to get by."
Other releases this year have also addressed similar concerns. The electronic group Matmos, who experiment with creating music with raw materials, created "Plastic Anniversary" using solely plastic objects. The band highlighted "the world's relationship to plastic – a material whose durability, portability and longevity, while heralded by its makers, are the very qualities that make it a force of environmental devastation."
This summer, The 1975 released a self-titled single featuring a speech by Thunberg, as she intoned "everything needs to change. And it has to start today. So, everyone out there, it is now time for civil disobedience. It is time to rebel." Conversely, Grimes announced the upcoming concept album "Miss Anthropocene," which will personify climate change as a supervillain, stating that "climate change sucks and no one wants to read about it because the only time you hear about it is when you're getting guilted. I wanted to make climate change fun."
Lana Del Rey - Fuck It I Love You & The Greatest (Official Video)
This all-too-contemporary apocalyptic anxiety crystallises in Lana Del Rey's "The Greatest" in comparison to Mering, Del Rey seems resigned to things continuing as they are towards destruction. The refrain of "the culture is lit, and if this is it, I had a ball" is characteristically deadpan, but "lit" functions with an obvious double purpose here too.
Towards its muted conclusion, Del Rey softly sings a coda that seems like a news report from the end of the world: "Hawaii just missed a fireball/L.A. is in flames, it's getting hot/Kanye West is blond and gone/'Life on Mars' ain't just a song/Oh, the livestream's almost on." As Jenn Pelly remarked in a recent Pitchfork review, call her Doris Doomsday. It is a wild time to be alive, and contemporary music knows it. Expect more of the same in the next six to twelve months.
This story originally appeared in RTÉ . It is republished here as part of EcoWatch's partnership with Covering Climate Now, a global collaboration of more than 250 news outlets to strengthen coverage of the climate story.
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EcoWatch Daily Newsletter
By Jacob L. Steenwyk and Antonis Rokas
From the mythical minotaur to the mule, creatures created from merging two or more distinct organisms – hybrids – have played defining roles in human history and culture. However, not all hybrids are as fantastic as the minotaur or as dependable as the mule; in fact, some of them cause human diseases.
When Looking Through a Microscope Isn’t Close Enough.<p>For the last few years, <a href="http://www.rokaslab.org/" target="_blank">our team at Vanderbilt University</a>, <a href="https://www.researchgate.net/lab/Gustavo-Goldman-Lab" target="_blank">Gustavo Goldman's team at São Paulo University in Brazil</a> and many other collaborators around the world have been collecting samples of fungi from patients infected with different species of <em>Aspergillus</em> molds. One of the species we are particularly interested in is <a href="https://doi.org/10.1006/rwgn.2001.0082" target="_blank"><em>Aspergillus nidulans</em>, a relatively common and generally harmless fungus</a>. Clinical laboratories typically identify the species of <em>Aspergillus</em> causing the infection by examining cultures of the fungi under the microscope. The problem with this approach is that very closely related species of <em>Aspergillus</em> tend to look very similar in their broad morphology or physical appearance when viewing them through a microscope.</p><p>Interested in examining the varying abilities of different <em>A. nidulans</em> strains to cause disease, we decided to analyze their total genetic content, or genomes. What we saw came as a total surprise. We had not collected <em>A. nidulans</em> but <em>Aspergillus latus</em>, a close relative of <em>A. nidulans</em> and, as we were to soon find out, <a href="https://doi.org/10.1016/j.cub.2020.04.071" target="_blank">a hybrid species that evolved through the fusion of the genomes</a> of two other <em>Aspergillus</em> species: <em>Aspergillus spinulosporus</em> and an unknown close relative of <em>Aspergillus quadrilineatus</em>. Thus, we realized not only that these patients harbored infections from an entirely different species than we thought they were, but also that this species was the first ever <em>Aspergillus</em> hybrid known to cause human infections.</p>
Several Different Fungal Hybrids Cause Human Disease.<p>Hybrid fungi that can cause infections in humans are well known to occur in several different lineages of single-celled fungi known as yeasts. Notable examples include multiple different species of <a href="https://doi.org/10.1002/yea.3242" target="_blank">yeast hybrids</a> that cause the human diseases <a href="https://rarediseases.info.nih.gov/diseases/6218/cryptococcosis" target="_blank">cryptococcosis</a> and <a href="https://www.cdc.gov/fungal/diseases/candidiasis/index.html" target="_blank">candidiasis</a>. Although pathogenic yeast hybrids are well known, our discovery that the <em>A. latus</em> pathogen is a hybrid is a first for molds that cause disease in humans.</p>
(Left) Candida yeasts live on parts of the human body. Imbalance of microbes on the body can allow these yeasts, some of which are hybrids, to grow and cause infection. (Right) Cryptococcus yeasts, including ones that are hybrids, can cause life-threatening infections in primarily immunocompromised people. Centers for Disease Control and Prevention<p><a href="https://doi.org/10.1371/journal.ppat.1008315" target="_blank">Why certain <em>Aspergillus</em> species are so deadly</a> while others are harmless remains unknown. This may in part be because <a href="https://doi.org/10.1016/j.fbr.2007.02.007" target="_blank">combinations of traits, rather than individual traits</a>, underlie organisms' ability to cause disease. So why then are hybrids frequently associated with human disease? Hybrids inherit genetic material from both parents, which may result in new combinations of traits. This may make them more similar to one parent in some of their characteristics, reflect both parents in others or may differ from both in the rest. It is precisely this mix and match of traits that hybrids have inherited from their parental species that <a href="https://www.nytimes.com/2010/09/14/science/14creatures.html" target="_blank">facilitates their evolutionary success</a>, including their ability to cause disease.</p>
The Evolutionary Origin of an Aspergillus Hybrid.<p>Multiple evolutionary paths can lead to the emergence of hybrids. One path is through mating, just as the horse and donkey mate to create a mule. Another path is through the merging or fusion of genetic material from cells of different species.</p><p>It is this second path that appears to have been taken by our fungus. <em>A. latus</em> appears to have two of almost everything compared to its parental species: twice the genome size, twice the total number of genes and so on. But unlike other hybrids, which are often sterile like the mule, we found that <em>A. latus</em> is capable of reproducing both asexually and sexually.</p><p>But how distinct were the parents of <em>A. latus</em>? By comparing the parts contributed by each parent in the <em>A. latus</em> genome, we estimate that its parents are approximately 93% genetically similar, which is about as related as we humans are with lemurs. In other words, <em>A. latus</em>, an agent of infectious disease, is the fungal equivalent of a human-lemur hybrid.</p>
How A. Latus Differs From its Parents.<p>Elucidating the identity of closely related fungal pathogens and how they differ from each other in infection-relevant characteristics is a key step toward reducing the burden of fungal disease. For example, we found that <em>A. latus</em> was three times more resistant than <em>A. nidulans</em>, the species it was originally identified as using microscopy-based methods, to one of the most common antifungal drugs, <a href="https://www.drugbank.ca/drugs/DB00520" target="_blank">caspofungin</a>. This result provides a clear example of the potential importance of accurate identification of the <em>Aspergillus</em> pathogen causing an infection.</p><p>We also examined how <em>A. latus</em> and <em>A. nidulans</em> interact with cells from our immune system. We found that immune cells were less efficient at combating <em>A. latus</em> compared to <em>A. nidulans</em>, suggesting the hybrid fungus may be trickier for our immune systems to identify and destroy.</p><p>In the midst of the COVID-19 pandemic, our quest to understand <em>Aspergillus</em> pathogens is becoming more urgent. Growing evidence suggests that <a href="https://doi.org/10.1111/myc.13096" target="_blank">a fraction of COVID-19 patients are also infected with <em>Aspergillus</em>.</a> More worrying is that these <a href="https://doi.org/10.3201/eid2607.201603" target="_blank">secondary <em>Aspergillus</em> infections</a> can worsen the clinical outcomes for those infected with the novel coronavirus. That being said, we stress that little is known about <em>Aspergillus</em> infections in COVID-19 patients due to a lack of systematic testing, and none of the infections identified so far appear to have been caused by hybrids.</p><p>So, when it comes to hybrids, some are fantastic (the minotaur), some are helpful (the mule) and some are dangerous (<em>Aspergillus latus</em>). Understanding more about the biology of <em>Aspergillus latus</em> may help in our understanding of how microbial pathogens arise and how to best prevent and combat their infections.</p>
This Saturday, June 6, marks National Trails Day, an annual celebration of the remarkable recreational, scenic and hiking trails that crisscross parks nationwide. The event, which started in 1993, honors the National Trail System and calls for volunteers to help with trail maintenance in parks across the country.
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The Navajo Nation covers the corners of three different states. Google Maps
Growing Contribution<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM3NDY5Ny9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTY0NjM4MTgyM30.IuQTKQs1stvYYKD6vaVTrqAyoBsUG0BhDvlhxsyKwPA/img.png?width=980" id="02a05" class="rm-shortcode" data-rm-shortcode-id="2841f82b1785df5d5ed7bf64d3bb882b" data-rm-shortcode-name="rebelmouse-image" />
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Scuba divers around the world are holding their metaphorical breath to see if a coronavirus infection affects the ability to dive.
DAN medical experts explained the difference between normal lungs, on the left, and "very serious lungs caused by COVID-19," on the right. Matias Nochetto / Divers Alert Network (DAN)
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