Quantcast

An Artist Who Finds Uncommon Meaning in Common Trees

Popular
Hedges, 2019 © Hugh Hayden. All photos courtesy of Lisson Gallery

By Patrick Rogers

"I'm really into trees," said the sculptor Hugh Hayden. "I'm drawn to plants."


Nature and plants have always been a source of fascination for the artist, who grew up near a protected greenway on the outskirts of Dallas. "My family was always outdoors, not in the sense of camping, but of gardening," he recalled fondly. "When I was in high school, I was the youngest person in the North Texas Water Garden Society — I was, like, 15, and most of the people were over 55."

Now working out of a studio in the Bronx, Hayden uses elements of nature to powerful effect in sculptures that have grabbed the attention of curators in the U.S. and Europe. And he recently won a major commission at New York City's newest cultural outpost, The Shed. Housed in a large exhibition space, Hayden's Hedges installation presents an architecturally accurate facade of a single classic American suburban home that, thanks to mirrors mounted on opposing gallery walls, is amplified into infinity to form the illusion of an entire street.

Hedges, 2019 © Hugh Hayden

Those illusory houses and their imaginary middle-class occupants, however, are not alone. Sprouting from holes in the walls is a thicket of bare tree branches that appear to colonize the living space. When seen in the mirrors, they form what looks like the world's longest hedgerow.

© Hugh Hayden

There's an obvious tension in Hedges between human civilization and untamable wilderness. But Hayden, whose art tends to challenge perceptions of social order and the environment, is also interested in how people use nature as a form of camouflage to mask their differences in order to become part of their communities. "It's the idea of home ownership and being part of the American dream, of having a little house with its own yard — of blending into a landscape that is also a social landscape," he said.

Hayden mostly uses salvaged wood that he manipulates through carving and juxtaposition. The branches used in Hedges came from a display of Christmas trees that once stood in the median strip of Park Avenue in Manhattan — one of the nation's most pedigreed addresses, he notes — which lends his work an aspirational quality. And due to the mirrors placed around them, viewers cannot avoid encountering their own reflections. The artist said, "They're seeing themselves reproduced in something that is a fantasy. They see how they fit into that American dream."

America, 2018 © Hugh Hayden

Hayden, who trained as an architect at Cornell and quit his day job designing in the hospitality industry last year to pursue art full time, has been finding great meaning in the trees that he uses as raw material for his sculptures. In 2018 he traveled to the U.S.–Mexico border and gathered branches of mesquite, a tree that many Texans regard as an undesirable invasive species. "Mesquite trees thrive where other trees can't, on limited resources like water. Given the issue on the border around immigration, I thought of the material as politically charged." Hayden used the thick branches in a sculpture titled America, which takes the form of a kitchen table and chairs, a classic symbol of welcoming and comfort, but with sharp protuberances that discourage gathering.

On the same Texas trip, the artist paired up with a crew of nursery scouts who buy slow-growing desert palmettos from landowners in the region and then resell them for a profit to wealthy urbanites in Houston. Together they located stands of so-called Texas ebony trees, which have a narrow range of growth in the southern part of the state and in northeastern Mexico. Hayden used the dark brown and blackish wood of the trees' interior in a pair of meticulously rendered sculptures that comment self-reflectively on the experience of young African-American men.

"To me, that species was like my own identity as a tree," he said. One piece, Crown of Thorns, which was exhibited at Art Basel in Miami Beach last year, was in the shape of a football helmet, with a knot of thorns inside that render it impossible to wear. The other, Oreo, shown at New York's Lisson Gallery, represented a baby's crib also studded with sharp thorns. "I was interested in positioning the imposed expectations of a black man in Texas. I hated playing football, for example, but it was the expectation that I play." As for the crib, its construction brings to mind the neoclassical architecture of a typical Texas courthouse, where, because of systemic injustices, an African-American man is likely to turn up during the course of his youth.

Oreo, 2018 © Hugh Hayden

"I think people could interpret my work as an ad for a group like Greenpeace," Hayden said when asked if he considers himself a part of the environmental movement. "Of course, I am for the environment. But I would say my use of natural material is more an extension of my personal interests," he explained. "I like plants, and I like the idea that I can use something as ubiquitous as trees to change the way that people think."

Hedges is on view at The Shed in New York City until August 25.

Crown of Thorns, 2018 © Hugh Hayden

Reposted with permission from our media associate onEarth.

EcoWatch Daily Newsletter

A vegan diet can improve your health, but experts say it's important to keep track of nutrients and protein. Getty Images

By Dan Gray

  • Research shows that 16 weeks of a vegan diet can boost the gut microbiome, helping with weight loss and overall health.
  • A healthy microbiome is a diverse microbiome. A plant-based diet is the best way to achieve this.
  • It isn't necessary to opt for a strictly vegan diet, but it's beneficial to limit meat intake.

New research shows that following a vegan diet for about 4 months can boost your gut microbiome. In turn, that can lead to improvements in body weight and blood sugar management.

Read More Show Less
Students gathered at the National Mall in Washington DC, Sept. 20. NRDC

By Jeff Turrentine

Nearly 20 years have passed since the journalist Malcolm Gladwell popularized the term tipping point, in his best-selling book of the same name. The phrase denotes the moment that a certain idea, behavior, or practice catches on exponentially and gains widespread currency throughout a culture. Having transcended its roots in sociological theory, the tipping point is now part of our everyday vernacular. We use it in scientific contexts to describe, for instance, the climatological point of no return that we'll hit if we allow average global temperatures to rise more than 2 degrees Celsius above preindustrial levels. But we also use it to describe everything from resistance movements to the disenchantment of hockey fans when their team is on a losing streak.

Read More Show Less
Sponsored
samael334 / iStock / Getty Images

By Ruairi Robertson, PhD

Berries are small, soft, round fruit of various colors — mainly blue, red, or purple.

Read More Show Less
A glacier is seen in the Kenai Mountains on Sept. 6, near Primrose, Alaska. Scientists from the U.S. Geological Survey have been studying the glaciers in the area since 1966 and their studies show that the warming climate has resulted in sustained glacial mass loss as melting outpaced the accumulation of new snow and ice. Joe Raedle / Getty Images

By Mark Mancini

On Aug. 18, Iceland held a funeral for the first glacier lost to climate change. The deceased party was Okjökull, a historic body of ice that covered 14.6 square miles (38 square kilometers) in the Icelandic Highlands at the turn of the 20th century. But its glory days are long gone. In 2014, having dwindled to less than 1/15 its former size, Okjökull lost its status as an official glacier.

Read More Show Less
Members of Chicago Democratic Socialists of America table at the Logan Square Farmers Market on Aug. 18. Alex Schwartz

By Alex Schwartz

Among the many vendors at the Logan Square Farmers Market on Aug. 18 sat three young people peddling neither organic vegetables, gourmet cheese nor handmade crafts. Instead, they offered liberation from capitalism.

Read More Show Less
Sponsored
StephanieFrey / iStock / Getty Images

By Lauren Panoff, MPH, RD

Muffins are a popular, sweet treat.

Read More Show Less
Hackney primary school students went to the Town Hall on May 24 in London after school to protest about the climate emergency. Jenny Matthews / In Pictures / Getty Images

By Caroline Hickman

Eco-anxiety is likely to affect more and more people as the climate destabilizes. Already, studies have found that 45 percent of children suffer lasting depression after surviving extreme weather and natural disasters. Some of that emotional turmoil must stem from confusion — why aren't adults doing more to stop climate change?

Read More Show Less
Myrtle warbler. Gillfoto / Flickr / CC BY-SA 2.0

Bird watching in the U.S. may be a lot harder than it once was, since bird populations are dropping off in droves, according to a new study.

Read More Show Less