An Artist Who Finds Uncommon Meaning in Common Trees
By Patrick Rogers
"I'm really into trees," said the sculptor Hugh Hayden. "I'm drawn to plants."
Nature and plants have always been a source of fascination for the artist, who grew up near a protected greenway on the outskirts of Dallas. "My family was always outdoors, not in the sense of camping, but of gardening," he recalled fondly. "When I was in high school, I was the youngest person in the North Texas Water Garden Society — I was, like, 15, and most of the people were over 55."
Now working out of a studio in the Bronx, Hayden uses elements of nature to powerful effect in sculptures that have grabbed the attention of curators in the U.S. and Europe. And he recently won a major commission at New York City's newest cultural outpost, The Shed. Housed in a large exhibition space, Hayden's Hedges installation presents an architecturally accurate facade of a single classic American suburban home that, thanks to mirrors mounted on opposing gallery walls, is amplified into infinity to form the illusion of an entire street.
Hedges, 2019 © Hugh Hayden
Those illusory houses and their imaginary middle-class occupants, however, are not alone. Sprouting from holes in the walls is a thicket of bare tree branches that appear to colonize the living space. When seen in the mirrors, they form what looks like the world's longest hedgerow.
© Hugh Hayden
There's an obvious tension in Hedges between human civilization and untamable wilderness. But Hayden, whose art tends to challenge perceptions of social order and the environment, is also interested in how people use nature as a form of camouflage to mask their differences in order to become part of their communities. "It's the idea of home ownership and being part of the American dream, of having a little house with its own yard — of blending into a landscape that is also a social landscape," he said.
Hayden mostly uses salvaged wood that he manipulates through carving and juxtaposition. The branches used in Hedges came from a display of Christmas trees that once stood in the median strip of Park Avenue in Manhattan — one of the nation's most pedigreed addresses, he notes — which lends his work an aspirational quality. And due to the mirrors placed around them, viewers cannot avoid encountering their own reflections. The artist said, "They're seeing themselves reproduced in something that is a fantasy. They see how they fit into that American dream."
America, 2018 © Hugh Hayden
Hayden, who trained as an architect at Cornell and quit his day job designing in the hospitality industry last year to pursue art full time, has been finding great meaning in the trees that he uses as raw material for his sculptures. In 2018 he traveled to the U.S.–Mexico border and gathered branches of mesquite, a tree that many Texans regard as an undesirable invasive species. "Mesquite trees thrive where other trees can't, on limited resources like water. Given the issue on the border around immigration, I thought of the material as politically charged." Hayden used the thick branches in a sculpture titled America, which takes the form of a kitchen table and chairs, a classic symbol of welcoming and comfort, but with sharp protuberances that discourage gathering.
On the same Texas trip, the artist paired up with a crew of nursery scouts who buy slow-growing desert palmettos from landowners in the region and then resell them for a profit to wealthy urbanites in Houston. Together they located stands of so-called Texas ebony trees, which have a narrow range of growth in the southern part of the state and in northeastern Mexico. Hayden used the dark brown and blackish wood of the trees' interior in a pair of meticulously rendered sculptures that comment self-reflectively on the experience of young African-American men.
"To me, that species was like my own identity as a tree," he said. One piece, Crown of Thorns, which was exhibited at Art Basel in Miami Beach last year, was in the shape of a football helmet, with a knot of thorns inside that render it impossible to wear. The other, Oreo, shown at New York's Lisson Gallery, represented a baby's crib also studded with sharp thorns. "I was interested in positioning the imposed expectations of a black man in Texas. I hated playing football, for example, but it was the expectation that I play." As for the crib, its construction brings to mind the neoclassical architecture of a typical Texas courthouse, where, because of systemic injustices, an African-American man is likely to turn up during the course of his youth.
Oreo, 2018 © Hugh Hayden
"I think people could interpret my work as an ad for a group like Greenpeace," Hayden said when asked if he considers himself a part of the environmental movement. "Of course, I am for the environment. But I would say my use of natural material is more an extension of my personal interests," he explained. "I like plants, and I like the idea that I can use something as ubiquitous as trees to change the way that people think."
Hedges is on view at The Shed in New York City until August 25.
Crown of Thorns, 2018 © Hugh Hayden
Reposted with permission from our media associate onEarth.
EcoWatch Daily Newsletter
Coronavirus Shines Light on Zoos as Danger Zones for Deadly Disease Transmission Between Humans and Animals
By Marilyn Kroplick
The term "zoonotic disease" wasn't a hot topic of conversation before the novel coronavirus started spreading across the globe and upending lives. Now, people are discovering how devastating viruses that transfer from animals to humans can be. But the threat can go both ways — animals can also get sick from humans. There is no better time to reconsider the repercussions of keeping animals captive at zoos, for the sake of everyone's health.
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<div id="80487" class="rm-shortcode" data-rm-shortcode-id="dcd38a3bef604d3ff7ef47552482cbe4"><blockquote class="twitter-tweet twitter-custom-tweet" data-twitter-tweet-id="1290216672976986113" data-partner="rebelmouse"><div style="margin:1em 0">There is a moderate risk of flash flooding across portions of the eastern Carolinas and Mid-Atlantic states from… https://t.co/C5Ys46ZetX</div> — National Hurricane Center (@National Hurricane Center)<a href="https://twitter.com/NHC_Atlantic/statuses/1290216672976986113">1596446600.0</a></blockquote></div>
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By Kate Whiting
Bernice Dapaah calls bamboo "a miracle plant," because it grows so fast and absorbs carbon. But it can also work wonders for children's education and women's employment – as she's discovered.
These are the world's most bicycle-friendly cities. Statista<p>"The reason we use bamboo to manufacture bicycles is because it's found abundantly in Ghana and this is not a material we're going to import," says Dapaah, one of the World Economic Forum's Young Global Leaders.</p><p>"It's a new innovation. There were no existing bamboo bike builders in our country, so we were the first people trying to see how best we could utilize the abundant bamboo in Ghana."</p>
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="a335b5dffdd806bd6bb4debea90c2045"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/dxsb9c4HMn0?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span>
Supporting Students<p>Besides encouraging Ghanaians to swap vehicles for affordable bikes, Ghana Bamboo Bikes Initiative is helping students save time on walking to school so they have more time to learn.</p><p>Each time they sell a bike, they donate a bike to a schoolchild in a rural community, who might otherwise have to walk for hours to get to school.</p><p>Dapaah knows how transformative a shorter journey to school can be to academic performance. She grew up living with her <a href="https://www.youtube.com/watch?v=sb3joGYmx9A&feature=emb_logo" target="_blank">grandpa, a forester in a rural part of the country</a>.</p><p>"We had to walk three and a half hours every day before I could go to school. He later bought me a bike, so I finished senior high and wanted to go to university."</p><p>The experience inspired her to launch Ghana Bamboo Bikes Initiative with two other students at college.</p><p>"When we started this initiative, I looked back and said, when I was young, I had to walk miles before I could get to school, and sometimes if I was late, I was punished.</p><p>"Why don't we donate bikes for students to encourage them to study and so they can have enough time to be on books."</p><p>To date, they have sold more than 3,000 road, mountain and children's bikes – and Dapaah says they plan to donate <a href="https://www.entrepreneur.com/video/350343" target="_blank">10,000 bikes to schoolchildren over five years</a>.</p>
Empowering Women<p>The enterprise is also providing local jobs. It teaches young people to build bikes, particularly women and those in rural communities, where jobs can be scarce. More than 50% of people they have trained are women.</p><p>Dapaah says they want to boost the number of people they employ to 250 over the next five years and they are looking to partner with NGOs to build a childcare facility so mothers can continue to work.</p>
Reducing Emissions<p>By promoting a cycling culture in Ghana, Dapaah says they're also committed to reducing emissions in the transport sector and contributing to the UN's Sustainable Development Goals.</p><p>"I love the idea of reusing bamboo to promote sustainable cycling. People want to go green, low-carbon, lean-energy efficient," she says.</p>
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Deforestation coupled with the rampant destruction of natural resources will soon have devastating effects on the future of society as we know it, according to two theoretical physicists who study complex systems and have concluded that greed has put us on a path to irreversible collapse within the next two to four decades, as VICE reported.
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By Kristen Pope
Melting and crumbling glaciers are largely responsible for rising sea levels, so learning more about how glaciers shrink is vital to those who hope to save coastal cities and preserve wildlife.
Groans, Creaks, Icebergs’ Calving Splashes<p>Oskar Glowacki already knew that melting glacial ice sounds like frying bacon. As ice bubbles burst, anyone nearby can hear crackling and popping, said Glowacki, a postdoctoral scholar at the Scripps Institution of Oceanography. Using hydrophones, he and other scientists now can make more nuanced measurements of how a changing climate sounds underwater, from the groans, creaks and splashes of a calving iceberg to the changes in whale songs as the ocean warms.</p><p>Glowacki recently used a pair of hydrophones to study the underwater world of glaciers, publishing his findings in <a href="https://www.the-cryosphere.net/14/1025/2020/" target="_blank">The Cryosphere</a>. He and co-author Grant B. Deane measured glacier retreat by <a href="https://yaleclimateconnections.org/2020/07/melting-glaciers-sound-like-frying-bacon/" target="_blank">recording the sounds of ice</a> – from small chunks to enormous slabs – falling off the glacier and splashing into the water.</p><p>During the summer of 2016, Glowacki's team placed two hydrophones near Hansbreen Glacier in Hornsund Fjord, Svalbard. For a month and a half, they recorded sounds, also using three time-lapse cameras to collect images – including the "drop height" (how far the ice fell into the water) – so they could compare photos to the recordings. The team created a formula to represent the relationship between the size of a piece of ice falling from a glacier and the sound it makes underwater, also accounting for the pieces of ice falling from varying heights. (Hear an example of the sound an iceberg makes while calving <a href="https://soundcloud.com/user-248456662/iceberg-calving-hansbreen-glacier" target="_blank">here</a>.)</p>
Unlocking Information About Antarctic Ice Shelf<p>Other researchers also are using hydrophones to learn more about crumbling glaciers. Bob Dziak, research oceanographer with the NOAA/Pacific Marine Environmental Laboratory <a href="https://www.pmel.noaa.gov/acoustics" target="_blank">acoustics research group</a>, captured a massive calving event of the Nansen Ice Shelf in Antarctica with a hydrophone. He published the results with colleagues in <a href="https://www.frontiersin.org/articles/10.3389/feart.2019.00183/full" target="_blank">Frontiers in Earth Science</a></p><p>On April 7, 2016, satellite images showed a massive calving event had occurred on the ice shelf. The paper described it as the "first large scale calving event in >30 years."</p><p>However, once Dziak and colleagues delved into the data from three hydrophones deployed 60 kilometers east of the ice shelf, they uncovered a series of "icequakes" from January to early March 2016. He and other researchers believe that much of the ice actually broke free in mid-January to February, but it remained in the same location until an April storm – which their paper described as the "largest low-pressure storm recorded in the previous seven months" – broke the ice free.</p><p>"We suspected that the icebergs broke apart but remained in place – kind of pinned in place – until a major storm with high winds passed through the area and, finally, it was that last push that pushed the icebergs out to sea," Dziak says.</p><p>He and his co-authors wrote that "fortuitous timing and proximity of the hydrophone deployment presented a rare opportunity to study cryogenic signals and ocean ambient sounds of a large-scale ice shelf calving and iceberg formation event."</p>
Listening to Songs of Humpback Whales<p><a href="https://www.mbari.org/" target="_blank">Monterey Bay Aquarium Research Institute</a> studies the ocean, including its acoustics. One of the institute's projects involves examining the soundscape of California's Monterey Bay, including sounds from animals, humans, weather, and geologic processes like earthquakes. The researchers once even recorded an under-sea landslide. They also focus on recording and analyzing the <a href="http://www.mbari.org/humpback-song/" target="_blank">songs of humpback whales</a>. Male humpback whales' songs can be over 15 minutes in length, and they can be repeated for long periods of time – even hours. Listening to these songs and analyzing them can provide unique insights into the lives of these complex animals.</p><p>"Any time we want to study marine mammals, sound gives us a window into their lives because they use sound for all of their essential life activities, really," says institute biological oceanographer John Ryan. "Communication, foraging, reproduction, navigation – depending on the species, of course."</p><p>Previously, scientists had thought singing occurred only during courtship and mating, but now they think whales may also use song while migrating and hunting. They know song has a crucial role in the whales' lives.</p><p>"There's a whole other dimension to humpback whale song," Ryan says. "It is a mode of cultural transmission in this species. They learn songs from each other. They share songs as a population, and when populations mix and mingle, they learn new ideas, they explore with their song, improvise, and it's a real essential part of their culture."</p>
By William S. Lynn, Arian Wallach and Francisco J. Santiago-Ávila
A number of conservationists claim cats are a zombie apocalypse for biodiversity that need to be removed from the outdoors by "any means necessary" – coded language for shooting, trapping and poisoning. Various media outlets have portrayed cats as murderous superpredators. Australia has even declared an official "war" against cats.
Faulty Scientific Reasoning<p>In our <a href="https://doi.org/10.1111/cobi.13527" target="_blank">most recent publication</a> in the journal Conservation Biology, we examine an error of reasoning that props up the moral panic over cats.</p><p>Scientists do not simply collect data and analyze the results. They also establish a logical argument to explain what they observe. Thus, the reasoning behind a factual claim is equally important to the observations used to make that claim. And it is this reasoning about cats where claims about their threat to global biodiversity founder. In our analysis, we found it happens because many scientists take specific, local studies and overgeneralize those findings to the world at large.</p><p>Even when specific studies are good overall, projecting the combined "results" onto the world at large can cause unscientific overgeneralizations, particularly when <a href="https://doi.org/10.1016/j.tree.2015.01.003" target="_blank">ecological context is ignored</a>. It is akin to pulling a quote out of context and then assuming you understand its meaning.</p>
Ways Forward<p>So how might citizens and scientists chart a way forward to a more nuanced understanding of cat ecology and conservation?</p><p>First, those examining this issue on all sides can acknowledge that both the well-being of cats and the survival of threatened species are legitimate concerns.</p><p>Second, cats, like any other predator, affect their ecological communities. Whether that impact is good or bad is a complex value judgment, not a scientific fact.</p><p>Third, there is a need for a more rigorous approach to the study of cats. Such an approach must be mindful of the importance of ecological context and avoid the pitfalls of faulty reasoning. It also means resisting <a href="https://doi.org/10.1111/cobi.13126" target="_blank">the siren call of a silver (lethal) bullet</a>.</p>
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