An Artist Who Finds Uncommon Meaning in Common Trees
By Patrick Rogers
"I'm really into trees," said the sculptor Hugh Hayden. "I'm drawn to plants."
Nature and plants have always been a source of fascination for the artist, who grew up near a protected greenway on the outskirts of Dallas. "My family was always outdoors, not in the sense of camping, but of gardening," he recalled fondly. "When I was in high school, I was the youngest person in the North Texas Water Garden Society — I was, like, 15, and most of the people were over 55."
Now working out of a studio in the Bronx, Hayden uses elements of nature to powerful effect in sculptures that have grabbed the attention of curators in the U.S. and Europe. And he recently won a major commission at New York City's newest cultural outpost, The Shed. Housed in a large exhibition space, Hayden's Hedges installation presents an architecturally accurate facade of a single classic American suburban home that, thanks to mirrors mounted on opposing gallery walls, is amplified into infinity to form the illusion of an entire street.
Hedges, 2019 © Hugh Hayden
Those illusory houses and their imaginary middle-class occupants, however, are not alone. Sprouting from holes in the walls is a thicket of bare tree branches that appear to colonize the living space. When seen in the mirrors, they form what looks like the world's longest hedgerow.
© Hugh Hayden
There's an obvious tension in Hedges between human civilization and untamable wilderness. But Hayden, whose art tends to challenge perceptions of social order and the environment, is also interested in how people use nature as a form of camouflage to mask their differences in order to become part of their communities. "It's the idea of home ownership and being part of the American dream, of having a little house with its own yard — of blending into a landscape that is also a social landscape," he said.
Hayden mostly uses salvaged wood that he manipulates through carving and juxtaposition. The branches used in Hedges came from a display of Christmas trees that once stood in the median strip of Park Avenue in Manhattan — one of the nation's most pedigreed addresses, he notes — which lends his work an aspirational quality. And due to the mirrors placed around them, viewers cannot avoid encountering their own reflections. The artist said, "They're seeing themselves reproduced in something that is a fantasy. They see how they fit into that American dream."
America, 2018 © Hugh Hayden
Hayden, who trained as an architect at Cornell and quit his day job designing in the hospitality industry last year to pursue art full time, has been finding great meaning in the trees that he uses as raw material for his sculptures. In 2018 he traveled to the U.S.–Mexico border and gathered branches of mesquite, a tree that many Texans regard as an undesirable invasive species. "Mesquite trees thrive where other trees can't, on limited resources like water. Given the issue on the border around immigration, I thought of the material as politically charged." Hayden used the thick branches in a sculpture titled America, which takes the form of a kitchen table and chairs, a classic symbol of welcoming and comfort, but with sharp protuberances that discourage gathering.
On the same Texas trip, the artist paired up with a crew of nursery scouts who buy slow-growing desert palmettos from landowners in the region and then resell them for a profit to wealthy urbanites in Houston. Together they located stands of so-called Texas ebony trees, which have a narrow range of growth in the southern part of the state and in northeastern Mexico. Hayden used the dark brown and blackish wood of the trees' interior in a pair of meticulously rendered sculptures that comment self-reflectively on the experience of young African-American men.
"To me, that species was like my own identity as a tree," he said. One piece, Crown of Thorns, which was exhibited at Art Basel in Miami Beach last year, was in the shape of a football helmet, with a knot of thorns inside that render it impossible to wear. The other, Oreo, shown at New York's Lisson Gallery, represented a baby's crib also studded with sharp thorns. "I was interested in positioning the imposed expectations of a black man in Texas. I hated playing football, for example, but it was the expectation that I play." As for the crib, its construction brings to mind the neoclassical architecture of a typical Texas courthouse, where, because of systemic injustices, an African-American man is likely to turn up during the course of his youth.
Oreo, 2018 © Hugh Hayden
"I think people could interpret my work as an ad for a group like Greenpeace," Hayden said when asked if he considers himself a part of the environmental movement. "Of course, I am for the environment. But I would say my use of natural material is more an extension of my personal interests," he explained. "I like plants, and I like the idea that I can use something as ubiquitous as trees to change the way that people think."
Hedges is on view at The Shed in New York City until August 25.
Crown of Thorns, 2018 © Hugh Hayden
Reposted with permission from our media associate onEarth.
By Pamela Davis-Kean
With in-person instruction becoming the exception rather than the norm, 54% of parents with school-age children expressed concern that their children could fall behind academically, according to a poll conducted over the summer of 2020. Initial projections from the Northwest Evaluation Association, which conducts research and creates commonly used standardized tests, suggest that these fears are well-grounded, especially for children from low-income families.
- How Other Countries Reopened Schools During the Pandemic ... ›
- Young People Are Primary Coronavirus Spreaders, WHO Warns ... ›
- How Families Can Boost Kids' Mental Health During the Pandemic ... ›
EcoWatch Daily Newsletter
The pandemic has affected everyone, but mental health experts warn that youth and teens are suffering disproportionately and that depression and suicide rates are increasing.
- How Families Can Boost Kids' Mental Health During the Pandemic ... ›
- How to Deal With Cabin Fever - EcoWatch ›
- 'Quarantine Fatigue' Is Real. Here's How to Cope - EcoWatch ›
Yet another former Trump administration staffer has come out with an endorsement for former Vice President Joe Biden, this time in response to President Donald Trump's handling of the coronavirus pandemic.
- Trump Denies CDC Director's 2021 Timeline for Coronavirus Vaccine ›
- Trump Orders Hospitals to Stop Sending COVID-19 Data to CDC ... ›
- Two White House Staffers Test Positive for Coronavirus - EcoWatch ›
- Trump Admin to Disband Coronavirus Task Force - EcoWatch ›
- Pence Offers 'Prayers' as Hurricane Laura Hits Gulf Coast While ›
Every September for the past 11 years, non-profit the Climate Group has hosted Climate Week NYC, a chance for business, government, activist and community leaders to come together and discuss solutions to the climate crisis.
- Covering the 2020 Elections as a Climate Story - EcoWatch ›
- Coronavirus Delays 2020 Earth Overshoot Day by Three Weeks ... ›
By Elliot Douglas
The coronavirus pandemic has altered economic priorities for governments around the world. But as wildfires tear up the west coast of the United States and Europe reels after one of its hottest summers on record, tackling climate change remains at the forefront of economic policy.
- German Business Leaders Call for Climate Action With COVID-19 ... ›
- Climate Activists Protest Germany's New Datteln 4 Coal Power Plant ... ›